, Chapter 24, 2012
Foto: K. Ross, Courtesy Miguel Abreu Gallery, New York
Rebecca H. Quaytman
, Chapter 24, 2012
Farblithografie auf Edelstahl-Platte
51 x 51 x 0,3 cm
Gedruckt von Derrière L'etoile Studio, New York
Auflage: 20 Exemplare + 4 Künstlerexemplare
Signiert und nummeriert
Preis 3.200 EUR (ohne Sockelleiste)
(Vergriffen)
Das Motiv ist eine weitere Thematisierung des Kapitels 24 von r. h. Quaytman,, Chapter 24, das im Jahr 2012 im Museum Abteiberg zu sehen war. Das gesamte Kapitel handelt von Geschichte und Geschichten des Mönchengladbacher Museums, das nunmehr zum ersten Ort einer institutionellen Einzelausstellung in Deutschland wurde.
Der Kontext dieses Museums prägt auch das Format des Kapitels: Quaytman zeigt erstmalig und ausschließlich Quadrate, in drei variierenden Größen. Und er bestimmt auch ein neues Sujet der künstlerischen Auseinandersetzung: Inspiriert durch die Sammlung der Kunst um 1960 (Fontana, Manzoni, Klein) geht es hier um die Oberflächen von Malerei, um die stoffliche Materialität und eine haptisch-sinnliche Visualität in ihren Leinwänden.
"... In Anbetracht der Tatsache, dass das Quadrat der Schlüssel zu Quaytmans Kapitel ist, beschreiben wir (jetzt jedoch) wirklich eine Spiralbewegung, schrauben uns hinaus in unerwartete Darstellungen von Schlitzen und Kratzern, glitzerndem Glas und Kunstpelz, Ultraschallbildern und Beschneidungen.
Die Spirale wird sich von Mönchengladbach weg- und Quaytmans Werk in unerwartete Richtungen drehen. Und die Spirale führt nach außen, nicht zurück in ihr Zentrum. Wir lägen völlig falsch mit der Annahme, Quaytmans profunde Aufmerksamkeit für die Historien der modernistischen Abstraktion und die Generation der Nachkriegsneoavantgarde seien der Ausdruck einer nostalgischen oder schwermütigen Praxis.
Ja, es stimmt,, Chapter 24 veranlasst die Malerei dazu, um ihre Historien zu kreisen, doch zugleich führt es sie nach draußen, auf neue, in die Zukunft weisende Bahnen."
Mark godfrey, Systeme, Orte, Quadrate, Oberflächen und Spiralen,, Kapitel 24, Weiße Broschüre, S.15, in: R.H. Quaytman, , Chapter 24, Kassettenkatalog Museum Abteiberg, Mönchengladbach 2012
Die Abbildung kann vom Original abweichen.
Rebecca H. Quaytman
1961 geboren in Boston
Sie lebt und arbeitet in New York
AUSBILDUNG - STIPENDIEN
2001 Rome Prize Fellowship, American Academy in Rome
1989 Institut des Hautes Études en Arts Plastiques, Paris
1984 Post Graduate Program in Painting, National College of Art & Design, Dublin
1983 B.A., John Bard Scholar, Bard College, Annandale-on-Hudson
1982 Skowhegan School of Painting and Sculpture, Skowhegan
Einzelausstellungen
2013 The Renaissance Society, Chicago
2012, Chapter 24, Museum Abteiberg, Mönchengladbach
2012 Point de Gaze, Chapter 23, Gladstone Gallery, Brüssel
2011 Spine, Chapter 20, Kunsthalle Basel
2011 Cherchez Holopherne, Chapter 21, Galerie Daniel Buchholz, Köln
2010 Spine, Chapter 20, Neuberger Museum of Art – SUNY Purchase
2010 I Love — The Eyelid Clicks / I See / Cold Poetry, Chapter 18, San Francisco Museum of Modern Art
2010 Silberkuppe, Chapter 17, Silberkuppe
2009 Exhibition Guide, Chapter 15, The Institute of Contemporary Art, Boston
2008 Chapter 12: iamb, Miguel Abreu Gallery, New York
2004 Chapter 3: Optima, Momenta Art, New York
2002 Chapter 1: The Sun, Revolution, Ferndale
2001 Chapter 1: The Sun, Spencer Brownstone Gallery, New York
2000 Galerie Edward Mitterrand, Genf
1999 China Art Objects Galleries, Los Angeles, CA
1999 Revolution, A Gallery Project, Ferndale, MI
1998 Spencer Brownstone Gallery, New York
1997 Quaywall-Rest, Astride, Revolution: A Gallery Project, Ferndale
1995 Apartment Paintings, Helen M.Z. Cevern-Harwood Gallery, New York
Doppelausstellungen
2012 R. H. Quaytman/Thomas Eggerer: Preludes, Friedrich Petzel Gallery, New York
2008 R. H. Quaytman/Josef Strau: Chapter 12: iamb/ Through the Limbo of Vanity, Vilma Gold Gallery, London
Gruppenausstellungen (Auswahl)
2013 Lumineux! Dynamique! Space and Vision in Art, from Today back to 1913, Grand Palais, Paris
2012 Contemporary Painting, 1960 to the Present, San Francisco Museum of Modern Art
2012 Architectural Dispositions, Thomas Solomon Gallery, Los Angeles
2012 Painting in Space, Luhring Augustine, New York
2012 Context Message, Zach Feuer Gallery, New York
2011 Quodlibet III – Alphabets and Instruments, Galerie Daniel Buchholz, Berlin
2011 If You Lived Here, You’d Be Home By Now, CCS Bard, Hessel Museum of Art, Annandale-on-Hudson
2011 Footnote 6. As Model, Miguel Abreu Gallery, New York
2011 I Modi, Chapter 21, ILLUMInations, 54th International Art Exhibition, Biennale Venedig
2011 Time Again: Novel, Sculpture Center, New York
2011 Proofs and Refutations, David Zwirner, New York
2011 New York to London and Back: The Medium of Contingency, Thomas Dane Gallery, London
2010 Footnote 1. Phantom Limb, Centrum Sztuki Wspolczesnej Zamek Ujazdowski, Warschau
2010 Nicholas Gambaroff, Michael Krebber, R. H. Quaytman, Blake Rayne, Bergen Kunsthall
2010 Group Show, Galerie Emmanuel Perrotin, Paris
2010 Picture Industry (Goodbye To All That), organized by Walead Beshty, Regen Projects, Los Angeles
2010 The Whitney Biennial, Whitney Museum of American Art, New York
2010 Group Show: Heather Cook, Alex Olson, R. H. Quaytman, Gedi Sibony, Ry Rocklen, Rental, New York
2010 Blind Mirror, Galleria Raucci/Santamaria, Neapel
2010 Guilty Feet, 179 Canal, organized by Colby Bird and Tova Carlin, New York
2009 Cave Painting, organized by Bob Nickas, Greshams Ghost, New York
2009 Besides, With, Against, And Yet: Abstraction and The Ready-Made Gesture, The Kitchen, New
York
2009 Blue, James Graham & Sons Gallery, New York
2009 Front Room: Olga Chernysheva & R.H. Quaytman & Josephine Pryde, Contemporary Art Museum St. Louis
2009 Practice vs. Object, Miguel Abreu Gallery, New York
2009 Group Show: Don Brown, Daniel Lergon, R. H. Quaytman, Gabriel Vormstein, Lawrence Weiner, Almine Rech Gallery, Brüssel
2009 Constructivismes, Almine Rech Gallery, Brüssel
2009 Constructivismes, Andrea Rosen, Gallery, New York
2008 Paper, Scissors, Stone, Galerie Nordenhake, Stockholm
2008 Looking Back: The Third Annual White Columns Annual organized by Jay Sanders, New York
2008 Electioneering, Fort Worth Contemporary Arts, Texas Christian University, Ft. Worth
2008 Fair Market, Rental Gallery, New York
2008 Painting Now and Forever, Matthew Marks Gallery and Greene Naftali Gallery, New York
2008 The Man Whose Shoes Squeaked, Richard Telles Gallery, Los Angeles
2008 From One O to the Other, Rhea Anastas, R.H.Quaytman and Amy Sillman, Orchard, New York
2008 Kraj: the Art of Artists of Polish Origins, Galeria Sztuki Wspolsczesne, Oppeln
2007 Regroup Show, Miguel Abreu Gallery, New York
2007 Inside the Pale, Thrust Projects, New York
2007 Oliver Twist, Rental, New York
2006 Paintings without Painters and Painters without Paintings, Orchard, New York
2006 Denial is a River, Sculpture Center, New York
2006 Bring the War Home, Q.E.D. Gallery, Los Angeles
2006 Extra City Galleries Show, Antwerpen
2005 Out of Place, The UBS Art Gallery, New York
2005 Orchard Part One and Two, Orchard, New York
2005 Tom Burr’s Residence, funded by the MICA Foundation, New York
2004 The Big Nothing, Arcadia University Art Gallery, Glenside
2004 Lodz Biennial, Lodz
2002 Pictures, Greene-Naftali, Inc., New York
2001 Crossing the Line, Queens Museum of Art, New York
2000 The Earth is a Flower, Construction in Process, Muzeum Okregowe im. Leona Wyczolkowskiego,
Bydgoszcz
2000 Dirty Realism, Robert Pearre Gallery, Tucson, AZ
2000 The Figure: Another Side of Modernism, Snug Harbor Cultural Center, New York
1999 Women and Geometric Abstraction, Pratt Manhattan Gallery, New York
1999 Portrait Show, Tod Jorgenson Gallery, New York 1999 Actual Size, Apex Art C.P., New York
1999 GridLocked, Rockett Gallery, London
1997 Horizontal Painting, The Institute for Contemporary Art, P.S. 1 Museum, New York
1997 Cause and Defect, Spencer Brownstone Gallery, New York
1997 Real Life (and its influence on art), Four Walls, New York
1995 Revolution: A Gallery Project, Ferndale
1992 Julian Pretto Gallery, New York
1992 Artedomani, 1992 Punti de Vista, , Galleria s’Arte Moderna, Spoleto
1992 Fine Arts Fellows annual Exhibition, The American Academy in Rome
1991 White Columns, New York
1990 The Russian Museum, Leningrad
1989 White Columns, New York
1989 RealArt Inc., New York
1988 Soho Center for Visual Artists, New York
1984 Selections 41, The Drawing Center, New York
VORTRÄGE - LEHRAUFTRÄGE
2012 Artist Talk, Society for Contemporary Art, The Art Institute of Chicago
2012 Lecturer, Visiting Artists and Scholars Lecture Series, San Francisco Art Institute
2011 Lecturer, Artists on Artists Lecture Series at Dia: Chelsea, New York
2011 Visiting artist, Yale University School of Art, New Haven
2011 MFA Painting, Bard College, Annandale-on-Hudson
2010 Artist Talk, The Blanton Museum of Art, The University of Texas at Austin
2009 Visiting lecturer and teacher, Princeton University, Princeton
2008 MFA Painting, Bard College, Annandale-on-Hudson
2008 Advanced Painting, Cooper Union, New York
2008 Visiting lecturer and teacher, Columbia University, New York
2008 Visiting lecturer and teacher, Yale University School of Art, New Haven
2007 MFA Painting, Bard, Annandale-on-Hudson
2007 Lecturer, Visiting Artist Lecture Series, Columbia University, School of the Arts, New York
2007 Lecturer, MFA program, School of Visual Arts, New York
2007 Translatrix: R. H. Quaytman on Jef Geys & panel with Dirk Snauwaert, Orchard, New York
2007 Lecturer, History, Theory, and Criticism, MFA program, Brooklyn College, New York
2007 Lecturer and Visiting Artist, Konsthögskolan i Malmö
2006 MFA Painting, Bard College, Annandale-on-Hudson
2006 Lecturer with Benjamin Aranda and Liam Gillick, Campari Talks at Artists Space, New York
2006 Lecturer, Barnard College, New York
ÖFFENTLICHE SAMMLUNGEN
CCS Bard Hessel Museum of Art, Annandale-on-Hudson
Museo Reina Sofia, Madrid
Muzeum Sztuki Nowoczesnej, Warschau
San Francisco Museum of Modern
Solomon R. Guggenheim Museum, New York
Tate Modern, London
The Art Institute of Chicago
The Baltimore Museum of Art
The Institute of Contemporary Art, Boston
The Museum of Modern Art, New York
Whitney Museum of American Art, New York
Publikationen (Auswahl)
Anastas, Rhea. "A Nude Poses in the Whitney Museum," Parkett, No. 90, Spring 2012
Heller-Roazen, Daniel. "Means and Equivalence," Parkett, No. 90, Spring 2012
Gambaroff, Krebber, Quaytman, Rayne, Bergen Kunsthall Exhibition Catalogue, 2010
Mansoor, Jaleh. "Painting, Folding," Parkett, No. 90, Spring
Nickas, Bob. "Painting Abstraction: New Elements in Abstract Painting", London & New York: Phaidon Press, pp. 316-319
ILLUMInations, 54th International Art Exhibition Catalogue, Venice Biennale, 2011
R. H. Quaytman, Spine, published by Sternberg Press, 2011
R. H. Quaytman, Allegorical Decoys, published by MER, Paper Kunsthalle, 2008
Schwabsky, Barry & Jessica Stockholder. Vitamin P2, published by Phaidon, 2011
The Medium of Contingency, published by Urbanomic in association with Ridinghouse, 2011
Bibliografie (Auswahl)
2012
Ryan, David. On Painting, Art Monthly, April
Ayche, Elie. Point de Gaze, Après le Marché, February 2
2011
Galvez, Paul. Tabula Rasa: Paul Galvez on the Art of R. H. Quaytman, Artforum, September
Joselit, David. Signal Processing: Abstractions Then and Now, Artforum, Summer
Schmidt, Jason.R. H. Quaytman, Monopol, No. 8, August
Joselit, David. I Modi, Mousse Magazine, Issue 29, Jun/Aug.
Questionnaire: R. H. Quaytman, Frieze Magazine, Issue 140, Jun/Aug.
Smee, Sebastian. Biennale Starts in Fits, Boston Globe, June 5
Searle, Adrian. The Venice Biennale’s balance of power, The Guardian, June 6
McLean-Ferris, Laura. 54th Venice Biennale: Tapping the light fantastic, The Independent, June 7
2010
Schwendener, Martha. Idiosyncratic Imagery, The New York Times, Dec. 19
Stern, Steven. Past Present, Frieze Magazine, Issue 132, Jun/Aug.
Stillman, Steel. In the Studio, Art In America, Jun/Jul.
Fiduccia, Joanna. Topical Optical, Kaleidoscope, Issue 07, Summer
Galvez, Paul. R. H. Quaytman, Institute of Contemporary Art Boston, Artforum, May
Pobocha, Paulina. R. H. Quaytman, Museo Magazine XIV
Cohen, Luke. Catachreses / On R. H. Quaytman, Texte zur Kunst, No. 77, March
Halle, Howard. 2010 Whitney Biennial, Time Out New York, Mar. 4-10
Yablonsky, Linda. Women’s Work, The New York Times, Spring
Finch, Charlie. A Room of One’s Own, Artnet.com
O’Neill-Butler, Lauren. Ladies First, Artforum.com, Feb. 25
Douglas, Sarah. Hooray for Whitneywood, Artinfo.com, Feb. 25
White, Roger. R. H. Quaytman: Exhibition Guide, Chapter 15 at ICA Boston, Art Review, Feb. 15
Pobocha, Paulina. R. H. Quaytman’s Storage Rack: An Archive of Images and Associations, MoMA Inside/Out,
Jan. 21
Launay, Aude. Liz Deschenes, Rebecca Quaytman, Meredyth Sparks, Zero Deux, Issue 52, Winter 09/10 2009
Joselit, David. Painting Beside Itself, October, No. 130, Fall
Joselit, David. Institutional Responsibility: The Short Life of Orchard, Grey Room 35, Spring
McQuaid, Cate. Signs and Sensibility, Boston Globe, Nov. 15
Coburn, Tyler. Art Review, Issue 13, April
Stillman, Nick. R. H. Quaytman, Artforum, April
Gregory, Stamatina. R. H. Quaytman, Modern Painters, April
Walthemath, Joan. R. H. Quaytman Chapter 12: iamb, The Brooklyn Rail, Feb. 6
Maine, Stephen. R. H. Quaytman: Chapter 12: iamb at Miguel Abreu Gallery, Artcitical.com, January
Smith, Roberta. Chapter 12: iamb, The New York Times, Jan. 23
Schwendener, Martha. Eva Lundsager, R. H. Quaytman, and Mary Heilman Bursh Up on Their Painting:
Things get drippy and trippy in three current shows of new work, The Village Voice, Jan. 21
R.H. Quaytman, The New Yorker, Jan. 20
Lewis, David. R. H. Quaytman, Frieze Magazine, Jan. 20
Reid, Alan. R. H. Quaytman, Chapter 12: iamb at Miguel Abreu Gallery, Bigredandshiny.com, January
2008
Smith, Roberta. Painting Now and Forever, Part II, The New York Times, Aug. 7
Jones, Kristin M. From One O to the Other, Frieze Magazine, July 16
Mack, Joshua. One Less Alternative: The Lower East Side’s Orchard Gallery Closes as Planned, Artreview.com, May 26
Carlin, T.J. From One O to the Other, Time Out New York, Apr. 10-16
Focus: The Lower East Side, Flash Art, March/April
2007
LTTR No. V
Modern Painters, February
R. H. Quaytman, The Call of the Wind, a poem taken from the words of Thomas Eggerer
2006
Smith, Roberta. Who Needs a White Cube These Days, The New York Times, Jan. 13
2005
Gilligan, Melanie. Kollektive Erhebung, Texte zur Kunst, No. 59, September
Scott, Andrea K. The Best and Worst of 2005, Time Out New York, Dec. 29-Jan. 4
McBride, Rita, and David Gray, eds. Myways, with essay by R. H. Quaytman, Arsenal Pulp Press
Wilson, Michael. Scene and Heard, Artforum.com, May 16
Lyon, Christopher. Report from Poland, Constructing a Biennial, Art in America, April
2002
Cotter, Holland. Art in Review: Pictures, The New York Times, Feb. 15
Mannisto, Glen. Blood on the Tracks, Metrotimes, Vol. 22, No. 52
2001
Weil, Rex. Review, ArtNews, October
Simpson, Bennett. Review: Crossing the line, Frieze Magazine, No. 62
Crossing the Line, audio CD, Queens Museum of Art, NY
Sundell, Margaret. Review, Artforum, October
Williams, Gregory. Critic’s Picks, Artforum.com Wehr, Ann. Review, Time Out New York, No. 302
Review, The New Yorker, July 4
2000
M/E/A/N/I/N/G: An Anthology of Artists’ Writings, Theory, and Criticism, (Duram: Duke University Press) pp.305-9
The Figure, Another Side of Modernism, (Staten Island: Snug Harbor Cultural Center), pp. 112, 83
Morgan, Robert. Women and Geometric Abstraction, Review, December
Kent, Sarah. Review, Time Out London, No. 1501, May 26-June 2, December
Pellegrin, Maurizio ed., Innerscapes. pp. 237-40
1998
Moody, Tom. Review, Artforum, September, p. 158
Princenthal, Nancy. "Review," Art in America, No. 6, June
McAdam, Barbara. Review," Art News, October
Dalton, Jennifer. Exhibitions: Rebecca Quaytman, Review, p. 22
Heartney, Eleanor. The Return of the Red Brick Alternative, Art In America, January
All in the Family, Art News, February
1996
Quaytman, Rebecca. Picture in Profile, M/E/A/N/I/N/G
1995
Carrier, David. New York Spring Exhibitions, Burlington Magazine, August
Silver, Joanne. Exhibition Images Aren’t Always What They Seem, The Boston Herald, August
Cotter, Holland. Art in Review, The New York Times, May 19
Chain #2 Magazine. Inside cover design by Rebecca Quaytman
Quaytman, Rebecca. The Notebooks of Paul Thek, The Wonderful World that Almost Was. (Rotterdam: Witte de With Center for Contemporary Art) p. 11-2
1994
Quaytman, Rebecca. M/E/A/N/I/N/G
1993
Binda, Ausilia. Artedomani. (Spoleto: Punti di Vista)
Karasov, Deborah. catalogue (Rome: American Academy in Rome)
Fraser, Kathleen. Black Bread #2
1991
Etra, Jon. Art News, May
1990
Cyphers, Peggy. Arts Magazine, September
1989
Quaytman, Rebecca. M/E/A/N/I/N/G
, Chapter 24, 2012Farblithografie auf Edelstahl-Platte
51 x 51 x 0,3 cm
Gedruckt von Derrière L'etoile Studio, New York
Auflage: 20 Exemplare + 4 Künstlerexemplare
Signiert und nummeriert
Preis 3.200 EUR (ohne Sockelleiste)
(Vergriffen)
Das Motiv ist eine weitere Thematisierung des Kapitels 24 von r. h. Quaytman,
, Chapter 24, das im Jahr 2012 im Museum Abteiberg zu sehen war. Das gesamte Kapitel handelt von Geschichte und Geschichten des Mönchengladbacher Museums, das nunmehr zum ersten Ort einer institutionellen Einzelausstellung in Deutschland wurde.Der Kontext dieses Museums prägt auch das Format des Kapitels: Quaytman zeigt erstmalig und ausschließlich Quadrate, in drei variierenden Größen. Und er bestimmt auch ein neues Sujet der künstlerischen Auseinandersetzung: Inspiriert durch die Sammlung der Kunst um 1960 (Fontana, Manzoni, Klein) geht es hier um die Oberflächen von Malerei, um die stoffliche Materialität und eine haptisch-sinnliche Visualität in ihren Leinwänden.
"... In Anbetracht der Tatsache, dass das Quadrat der Schlüssel zu Quaytmans Kapitel ist, beschreiben wir (jetzt jedoch) wirklich eine Spiralbewegung, schrauben uns hinaus in unerwartete Darstellungen von Schlitzen und Kratzern, glitzerndem Glas und Kunstpelz, Ultraschallbildern und Beschneidungen.
Die Spirale wird sich von Mönchengladbach weg- und Quaytmans Werk in unerwartete Richtungen drehen. Und die Spirale führt nach außen, nicht zurück in ihr Zentrum. Wir lägen völlig falsch mit der Annahme, Quaytmans profunde Aufmerksamkeit für die Historien der modernistischen Abstraktion und die Generation der Nachkriegsneoavantgarde seien der Ausdruck einer nostalgischen oder schwermütigen Praxis.
Ja, es stimmt,
, Chapter 24 veranlasst die Malerei dazu, um ihre Historien zu kreisen, doch zugleich führt es sie nach draußen, auf neue, in die Zukunft weisende Bahnen."Mark godfrey, Systeme, Orte, Quadrate, Oberflächen und Spiralen,
, Kapitel 24, Weiße Broschüre, S.15, in: R.H. Quaytman, , Chapter 24, Kassettenkatalog Museum Abteiberg, Mönchengladbach 2012Die Abbildung kann vom Original abweichen.
Rebecca H. Quaytman
1961 geboren in Boston
Sie lebt und arbeitet in New York
AUSBILDUNG - STIPENDIEN
2001 Rome Prize Fellowship, American Academy in Rome
1989 Institut des Hautes Études en Arts Plastiques, Paris
1984 Post Graduate Program in Painting, National College of Art & Design, Dublin
1983 B.A., John Bard Scholar, Bard College, Annandale-on-Hudson
1982 Skowhegan School of Painting and Sculpture, Skowhegan
Einzelausstellungen
2013 The Renaissance Society, Chicago
2012
, Chapter 24, Museum Abteiberg, Mönchengladbach2012 Point de Gaze, Chapter 23, Gladstone Gallery, Brüssel
2011 Spine, Chapter 20, Kunsthalle Basel
2011 Cherchez Holopherne, Chapter 21, Galerie Daniel Buchholz, Köln
2010 Spine, Chapter 20, Neuberger Museum of Art – SUNY Purchase
2010 I Love — The Eyelid Clicks / I See / Cold Poetry, Chapter 18, San Francisco Museum of Modern Art
2010 Silberkuppe, Chapter 17, Silberkuppe
2009 Exhibition Guide, Chapter 15, The Institute of Contemporary Art, Boston
2008 Chapter 12: iamb, Miguel Abreu Gallery, New York
2004 Chapter 3: Optima, Momenta Art, New York
2002 Chapter 1: The Sun, Revolution, Ferndale
2001 Chapter 1: The Sun, Spencer Brownstone Gallery, New York
2000 Galerie Edward Mitterrand, Genf
1999 China Art Objects Galleries, Los Angeles, CA
1999 Revolution, A Gallery Project, Ferndale, MI
1998 Spencer Brownstone Gallery, New York
1997 Quaywall-Rest, Astride, Revolution: A Gallery Project, Ferndale
1995 Apartment Paintings, Helen M.Z. Cevern-Harwood Gallery, New York
Doppelausstellungen
2012 R. H. Quaytman/Thomas Eggerer: Preludes, Friedrich Petzel Gallery, New York
2008 R. H. Quaytman/Josef Strau: Chapter 12: iamb/ Through the Limbo of Vanity, Vilma Gold Gallery, London
Gruppenausstellungen (Auswahl)
2013 Lumineux! Dynamique! Space and Vision in Art, from Today back to 1913, Grand Palais, Paris
2012 Contemporary Painting, 1960 to the Present, San Francisco Museum of Modern Art
2012 Architectural Dispositions, Thomas Solomon Gallery, Los Angeles
2012 Painting in Space, Luhring Augustine, New York
2012 Context Message, Zach Feuer Gallery, New York
2011 Quodlibet III – Alphabets and Instruments, Galerie Daniel Buchholz, Berlin
2011 If You Lived Here, You’d Be Home By Now, CCS Bard, Hessel Museum of Art, Annandale-on-Hudson
2011 Footnote 6. As Model, Miguel Abreu Gallery, New York
2011 I Modi, Chapter 21, ILLUMInations, 54th International Art Exhibition, Biennale Venedig
2011 Time Again: Novel, Sculpture Center, New York
2011 Proofs and Refutations, David Zwirner, New York
2011 New York to London and Back: The Medium of Contingency, Thomas Dane Gallery, London
2010 Footnote 1. Phantom Limb, Centrum Sztuki Wspolczesnej Zamek Ujazdowski, Warschau
2010 Nicholas Gambaroff, Michael Krebber, R. H. Quaytman, Blake Rayne, Bergen Kunsthall
2010 Group Show, Galerie Emmanuel Perrotin, Paris
2010 Picture Industry (Goodbye To All That), organized by Walead Beshty, Regen Projects, Los Angeles
2010 The Whitney Biennial, Whitney Museum of American Art, New York
2010 Group Show: Heather Cook, Alex Olson, R. H. Quaytman, Gedi Sibony, Ry Rocklen, Rental, New York
2010 Blind Mirror, Galleria Raucci/Santamaria, Neapel
2010 Guilty Feet, 179 Canal, organized by Colby Bird and Tova Carlin, New York
2009 Cave Painting, organized by Bob Nickas, Greshams Ghost, New York
2009 Besides, With, Against, And Yet: Abstraction and The Ready-Made Gesture, The Kitchen, New
York
2009 Blue, James Graham & Sons Gallery, New York
2009 Front Room: Olga Chernysheva & R.H. Quaytman & Josephine Pryde, Contemporary Art Museum St. Louis
2009 Practice vs. Object, Miguel Abreu Gallery, New York
2009 Group Show: Don Brown, Daniel Lergon, R. H. Quaytman, Gabriel Vormstein, Lawrence Weiner, Almine Rech Gallery, Brüssel
2009 Constructivismes, Almine Rech Gallery, Brüssel
2009 Constructivismes, Andrea Rosen, Gallery, New York
2008 Paper, Scissors, Stone, Galerie Nordenhake, Stockholm
2008 Looking Back: The Third Annual White Columns Annual organized by Jay Sanders, New York
2008 Electioneering, Fort Worth Contemporary Arts, Texas Christian University, Ft. Worth
2008 Fair Market, Rental Gallery, New York
2008 Painting Now and Forever, Matthew Marks Gallery and Greene Naftali Gallery, New York
2008 The Man Whose Shoes Squeaked, Richard Telles Gallery, Los Angeles
2008 From One O to the Other, Rhea Anastas, R.H.Quaytman and Amy Sillman, Orchard, New York
2008 Kraj: the Art of Artists of Polish Origins, Galeria Sztuki Wspolsczesne, Oppeln
2007 Regroup Show, Miguel Abreu Gallery, New York
2007 Inside the Pale, Thrust Projects, New York
2007 Oliver Twist, Rental, New York
2006 Paintings without Painters and Painters without Paintings, Orchard, New York
2006 Denial is a River, Sculpture Center, New York
2006 Bring the War Home, Q.E.D. Gallery, Los Angeles
2006 Extra City Galleries Show, Antwerpen
2005 Out of Place, The UBS Art Gallery, New York
2005 Orchard Part One and Two, Orchard, New York
2005 Tom Burr’s Residence, funded by the MICA Foundation, New York
2004 The Big Nothing, Arcadia University Art Gallery, Glenside
2004 Lodz Biennial, Lodz
2002 Pictures, Greene-Naftali, Inc., New York
2001 Crossing the Line, Queens Museum of Art, New York
2000 The Earth is a Flower, Construction in Process, Muzeum Okregowe im. Leona Wyczolkowskiego,
Bydgoszcz
2000 Dirty Realism, Robert Pearre Gallery, Tucson, AZ
2000 The Figure: Another Side of Modernism, Snug Harbor Cultural Center, New York
1999 Women and Geometric Abstraction, Pratt Manhattan Gallery, New York
1999 Portrait Show, Tod Jorgenson Gallery, New York 1999 Actual Size, Apex Art C.P., New York
1999 GridLocked, Rockett Gallery, London
1997 Horizontal Painting, The Institute for Contemporary Art, P.S. 1 Museum, New York
1997 Cause and Defect, Spencer Brownstone Gallery, New York
1997 Real Life (and its influence on art), Four Walls, New York
1995 Revolution: A Gallery Project, Ferndale
1992 Julian Pretto Gallery, New York
1992 Artedomani, 1992 Punti de Vista, , Galleria s’Arte Moderna, Spoleto
1992 Fine Arts Fellows annual Exhibition, The American Academy in Rome
1991 White Columns, New York
1990 The Russian Museum, Leningrad
1989 White Columns, New York
1989 RealArt Inc., New York
1988 Soho Center for Visual Artists, New York
1984 Selections 41, The Drawing Center, New York
VORTRÄGE - LEHRAUFTRÄGE
2012 Artist Talk, Society for Contemporary Art, The Art Institute of Chicago
2012 Lecturer, Visiting Artists and Scholars Lecture Series, San Francisco Art Institute
2011 Lecturer, Artists on Artists Lecture Series at Dia: Chelsea, New York
2011 Visiting artist, Yale University School of Art, New Haven
2011 MFA Painting, Bard College, Annandale-on-Hudson
2010 Artist Talk, The Blanton Museum of Art, The University of Texas at Austin
2009 Visiting lecturer and teacher, Princeton University, Princeton
2008 MFA Painting, Bard College, Annandale-on-Hudson
2008 Advanced Painting, Cooper Union, New York
2008 Visiting lecturer and teacher, Columbia University, New York
2008 Visiting lecturer and teacher, Yale University School of Art, New Haven
2007 MFA Painting, Bard, Annandale-on-Hudson
2007 Lecturer, Visiting Artist Lecture Series, Columbia University, School of the Arts, New York
2007 Lecturer, MFA program, School of Visual Arts, New York
2007 Translatrix: R. H. Quaytman on Jef Geys & panel with Dirk Snauwaert, Orchard, New York
2007 Lecturer, History, Theory, and Criticism, MFA program, Brooklyn College, New York
2007 Lecturer and Visiting Artist, Konsthögskolan i Malmö
2006 MFA Painting, Bard College, Annandale-on-Hudson
2006 Lecturer with Benjamin Aranda and Liam Gillick, Campari Talks at Artists Space, New York
2006 Lecturer, Barnard College, New York
ÖFFENTLICHE SAMMLUNGEN
CCS Bard Hessel Museum of Art, Annandale-on-Hudson
Museo Reina Sofia, Madrid
Muzeum Sztuki Nowoczesnej, Warschau
San Francisco Museum of Modern
Solomon R. Guggenheim Museum, New York
Tate Modern, London
The Art Institute of Chicago
The Baltimore Museum of Art
The Institute of Contemporary Art, Boston
The Museum of Modern Art, New York
Whitney Museum of American Art, New York
Publikationen (Auswahl)
Anastas, Rhea. "A Nude Poses in the Whitney Museum," Parkett, No. 90, Spring 2012
Heller-Roazen, Daniel. "Means and Equivalence," Parkett, No. 90, Spring 2012
Gambaroff, Krebber, Quaytman, Rayne, Bergen Kunsthall Exhibition Catalogue, 2010
Mansoor, Jaleh. "Painting, Folding," Parkett, No. 90, Spring
Nickas, Bob. "Painting Abstraction: New Elements in Abstract Painting", London & New York: Phaidon Press, pp. 316-319
ILLUMInations, 54th International Art Exhibition Catalogue, Venice Biennale, 2011
R. H. Quaytman, Spine, published by Sternberg Press, 2011
R. H. Quaytman, Allegorical Decoys, published by MER, Paper Kunsthalle, 2008
Schwabsky, Barry & Jessica Stockholder. Vitamin P2, published by Phaidon, 2011
The Medium of Contingency, published by Urbanomic in association with Ridinghouse, 2011
Bibliografie (Auswahl)
2012
Ryan, David. On Painting, Art Monthly, April
Ayche, Elie. Point de Gaze, Après le Marché, February 2
2011
Galvez, Paul. Tabula Rasa: Paul Galvez on the Art of R. H. Quaytman, Artforum, September
Joselit, David. Signal Processing: Abstractions Then and Now, Artforum, Summer
Schmidt, Jason.R. H. Quaytman, Monopol, No. 8, August
Joselit, David. I Modi, Mousse Magazine, Issue 29, Jun/Aug.
Questionnaire: R. H. Quaytman, Frieze Magazine, Issue 140, Jun/Aug.
Smee, Sebastian. Biennale Starts in Fits, Boston Globe, June 5
Searle, Adrian. The Venice Biennale’s balance of power, The Guardian, June 6
McLean-Ferris, Laura. 54th Venice Biennale: Tapping the light fantastic, The Independent, June 7
2010
Schwendener, Martha. Idiosyncratic Imagery, The New York Times, Dec. 19
Stern, Steven. Past Present, Frieze Magazine, Issue 132, Jun/Aug.
Stillman, Steel. In the Studio, Art In America, Jun/Jul.
Fiduccia, Joanna. Topical Optical, Kaleidoscope, Issue 07, Summer
Galvez, Paul. R. H. Quaytman, Institute of Contemporary Art Boston, Artforum, May
Pobocha, Paulina. R. H. Quaytman, Museo Magazine XIV
Cohen, Luke. Catachreses / On R. H. Quaytman, Texte zur Kunst, No. 77, March
Halle, Howard. 2010 Whitney Biennial, Time Out New York, Mar. 4-10
Yablonsky, Linda. Women’s Work, The New York Times, Spring
Finch, Charlie. A Room of One’s Own, Artnet.com
O’Neill-Butler, Lauren. Ladies First, Artforum.com, Feb. 25
Douglas, Sarah. Hooray for Whitneywood, Artinfo.com, Feb. 25
White, Roger. R. H. Quaytman: Exhibition Guide, Chapter 15 at ICA Boston, Art Review, Feb. 15
Pobocha, Paulina. R. H. Quaytman’s Storage Rack: An Archive of Images and Associations, MoMA Inside/Out,
Jan. 21
Launay, Aude. Liz Deschenes, Rebecca Quaytman, Meredyth Sparks, Zero Deux, Issue 52, Winter 09/10 2009
Joselit, David. Painting Beside Itself, October, No. 130, Fall
Joselit, David. Institutional Responsibility: The Short Life of Orchard, Grey Room 35, Spring
McQuaid, Cate. Signs and Sensibility, Boston Globe, Nov. 15
Coburn, Tyler. Art Review, Issue 13, April
Stillman, Nick. R. H. Quaytman, Artforum, April
Gregory, Stamatina. R. H. Quaytman, Modern Painters, April
Walthemath, Joan. R. H. Quaytman Chapter 12: iamb, The Brooklyn Rail, Feb. 6
Maine, Stephen. R. H. Quaytman: Chapter 12: iamb at Miguel Abreu Gallery, Artcitical.com, January
Smith, Roberta. Chapter 12: iamb, The New York Times, Jan. 23
Schwendener, Martha. Eva Lundsager, R. H. Quaytman, and Mary Heilman Bursh Up on Their Painting:
Things get drippy and trippy in three current shows of new work, The Village Voice, Jan. 21
R.H. Quaytman, The New Yorker, Jan. 20
Lewis, David. R. H. Quaytman, Frieze Magazine, Jan. 20
Reid, Alan. R. H. Quaytman, Chapter 12: iamb at Miguel Abreu Gallery, Bigredandshiny.com, January
2008
Smith, Roberta. Painting Now and Forever, Part II, The New York Times, Aug. 7
Jones, Kristin M. From One O to the Other, Frieze Magazine, July 16
Mack, Joshua. One Less Alternative: The Lower East Side’s Orchard Gallery Closes as Planned, Artreview.com, May 26
Carlin, T.J. From One O to the Other, Time Out New York, Apr. 10-16
Focus: The Lower East Side, Flash Art, March/April
2007
LTTR No. V
Modern Painters, February
R. H. Quaytman, The Call of the Wind, a poem taken from the words of Thomas Eggerer
2006
Smith, Roberta. Who Needs a White Cube These Days, The New York Times, Jan. 13
2005
Gilligan, Melanie. Kollektive Erhebung, Texte zur Kunst, No. 59, September
Scott, Andrea K. The Best and Worst of 2005, Time Out New York, Dec. 29-Jan. 4
McBride, Rita, and David Gray, eds. Myways, with essay by R. H. Quaytman, Arsenal Pulp Press
Wilson, Michael. Scene and Heard, Artforum.com, May 16
Lyon, Christopher. Report from Poland, Constructing a Biennial, Art in America, April
2002
Cotter, Holland. Art in Review: Pictures, The New York Times, Feb. 15
Mannisto, Glen. Blood on the Tracks, Metrotimes, Vol. 22, No. 52
2001
Weil, Rex. Review, ArtNews, October
Simpson, Bennett. Review: Crossing the line, Frieze Magazine, No. 62
Crossing the Line, audio CD, Queens Museum of Art, NY
Sundell, Margaret. Review, Artforum, October
Williams, Gregory. Critic’s Picks, Artforum.com Wehr, Ann. Review, Time Out New York, No. 302
Review, The New Yorker, July 4
2000
M/E/A/N/I/N/G: An Anthology of Artists’ Writings, Theory, and Criticism, (Duram: Duke University Press) pp.305-9
The Figure, Another Side of Modernism, (Staten Island: Snug Harbor Cultural Center), pp. 112, 83
Morgan, Robert. Women and Geometric Abstraction, Review, December
Kent, Sarah. Review, Time Out London, No. 1501, May 26-June 2, December
Pellegrin, Maurizio ed., Innerscapes. pp. 237-40
1998
Moody, Tom. Review, Artforum, September, p. 158
Princenthal, Nancy. "Review," Art in America, No. 6, June
McAdam, Barbara. Review," Art News, October
Dalton, Jennifer. Exhibitions: Rebecca Quaytman, Review, p. 22
Heartney, Eleanor. The Return of the Red Brick Alternative, Art In America, January
All in the Family, Art News, February
1996
Quaytman, Rebecca. Picture in Profile, M/E/A/N/I/N/G
1995
Carrier, David. New York Spring Exhibitions, Burlington Magazine, August
Silver, Joanne. Exhibition Images Aren’t Always What They Seem, The Boston Herald, August
Cotter, Holland. Art in Review, The New York Times, May 19
Chain #2 Magazine. Inside cover design by Rebecca Quaytman
Quaytman, Rebecca. The Notebooks of Paul Thek, The Wonderful World that Almost Was. (Rotterdam: Witte de With Center for Contemporary Art) p. 11-2
1994
Quaytman, Rebecca. M/E/A/N/I/N/G
1993
Binda, Ausilia. Artedomani. (Spoleto: Punti di Vista)
Karasov, Deborah. catalogue (Rome: American Academy in Rome)
Fraser, Kathleen. Black Bread #2
1991
Etra, Jon. Art News, May
1990
Cyphers, Peggy. Arts Magazine, September
1989
Quaytman, Rebecca. M/E/A/N/I/N/G