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Rita McBride, Template (Eselfreunde), 2016	Rita McBride Template (Eselfreunde), 2016 Material: Federstahl 26 x 19,5 cm 34 x 27,5 cm Rahmen (Eiche, hellgrau, Museumsglas) Auflage: 40 + 4 Künstlerexemplare Auf Platte rückseitig signiert, datiert und nummeriert Preis 470 EUR (Vergriffen) Das Motiv entstammt unübersehbar der Thematik, die Rita McBride in der Außeninstallation „Donkey’s Way“ auf dem neuen Sonnenhausplatz in Mönchengladbach zeigt. Es sind drei Konturenschnitte von Eseln, versammelt auf einer Schablone (engl. template) aus Federstahl. Schablonen und Kurvenlineale sind langjährige Sujets in McBrides Werk. Sie spricht gerne von diesen Hilfsmitteln, die in den vergangenen Jahrzehnten mit dem Einbruch der digitalen Medien aus den Ateliers von Architekten, Ingenieuren, Grafikern und Designern verschwanden. Die US-amerikanische Künstlerin, seit 2003 Professorin an der Düsseldofer Kunstakademie, seit 2013 deren Rektorin, sieht in den Schablonen eine vergangene Zeit, die Jüngeren kaum mehr begreiflich ist. Sie vermitteln schlagartig die Vergangenheit der Moderne und ihrer Gestalter und zeigen das Handwerk des Zeichnens und Formens in seinem Übergang vom Unikat zum Multiple. Die Edition der Esel-Schablone für den Museumsverein Mönchengladbach zeigt die weitere Funktionalität der Schablone als Vervielfältigungsmittel und Klischee für Souvenirs. McBride bietet sozusagen die Schablone für die Fanartikel, die jetzt angefragt werden, nachdem sich der anfängliche Widerstand gegen “die Esel“ in eine weit verbreitete Sympathie für ebendiese Tiere und ihre Darstellung auf dem Stadtplatz gewandelt hat. Die Federstahlobjekte werden komplett musealisiert mit Rahmen angeboten, können aus dieser Einrahmung jedoch leicht befreit werden, falls Sammler eine Aufstellung als Objekt bevorzugen. Die Abbildung kann vom Original abweichen. RITA McBRIDE 1960 geboren Des Moines, Iowa Lebt und arbeitet in Düsseldorf and Los Angeles Positionen seit 2013 Direktorin der Staatlichen Kunstakademie Düsseldorf seit 2003 Professorin, Staatliche Kunstakademie Düsseldorf 1999–2000 Gast-Professorin, Kunstakademie München Ausbildung 1987 Abschluss M.F.A. California Institute of the Arts, Valencia 1982 Abschluss, BA, Bard College, Annandale-on-Hudson, New York Auszeichnungen und Stipendien 1989 Artist in Residence, XS Gallery, Western Nevada College, Carson City, Nevada 1991 - 92 American Academy in Rome, Rome Prize Fellowship in Visual Arts 1995 Artist in Residence, Fundació Pilar í Joan Miró, Palma de Mallorca 1999 DAAD Residency, Berlin 2002 World Trade Center Competition, Skidmore, Owings & Merrill team Guggenheim Memorial Foundation Fellowship Cultural Board of the City of Hamburg Residency Einzelausstellungen 1989 Rita McBride: Men to Match My Mtns., XS Gallery, Western Nevada College, Carson City, Nevada Rita McBride, Galeria Atlântica. Porto 1990 Rita McBride: New Work, Margo Leavin Gallery, Los Angeles Heimat mit Funkturm, Standard Graphik, Köln 1992 Parts, Des Moines Art Center, Iowa Rita McBride, Percival Gallery, Des Moines, Iowa The Fat Man, The Spine, The Spineless, and Thin Corners, Michael Klein, Inc., New York There Would Be no Leaves to Rake on Sunday, Margo Leavin Gallery, Los Angeles 1993 Wise Women Caught Breathing, Stúdió Galéria, Budapest Silent Encounters Between Two Peaks, Müterem Kiállító, Budapest 1994 Fatal Egg, Ausstellungsbüro Michael Schill, Stuttgart Backsliding, sideslipping, one Great Leap and the "forbidden", Michael Klein Gallery, New York 1995 Gilded Carriages and The Donkey's Way and La Concierge (in collaboration with Hsin-Ming Fung), Margo Leavin Gallery, Los Angeles 1996 Rita McBride and Piggybackback (in collaboration with Catherine Opie and Lawrence Weiner), Galerie Béla Jarzyk, Köln 1997 The Donkey's Way and Piggybackback (in collaboration with Catherine Opie and Lawrence Weiner), Galeria Pedro Oliveira, Porto Hyperinclusion, OSMOS, Berlin Rita McBride, Alexander and Bonin, New York Arena & National Chain, Witte de With, Rotterdam 1999 Rita McBride Arena & To Be Announced, Kunstverein München, München Aloof and Incidental, Annemarie Verna Galerie and Mai 36 Galerie, Zürich National Chain, Galerie Deux, Tokyo Berlin Lietzensee (in collaboration with Glen Rubsamen), Konditorei Kammann, Berlin 2000 Her House with the Upstairs in It, Deutscher Akademischer Austauschdienst Galerie, Berlin Werkshow, Staatliche Kunsthalle Baden-Baden. Traveled to: Neuer Aachener Kunstverein, Aachen Secession Tower, Wiener Secession, Wien 2001 472 New Positions, De Pont, Tilburg, the Netherlands White Elephant and Albatrosses, Alexander and Bonin, New York Machines, Mai 36 Galerie, Zürich 2002 Servants and Slaves, Annemarie Verna Galerie, Zürich Naked Came the Stranger, Kunstmuseum Liechtenstein, Vaduz Croissance Générale/General Growth, Institut d'art contemporain, Villeurbanne 2003 Vehicles and Vessels, Alexander and Bonin, New York 2004 Exhibition, Sculpture Center. Long Island City, New York Middle Managers/Self-Storage, Galerie Frehrking Wiesehöfer, Köln Mae West and the Middle Managers, Mai 36 Galerie, Zürich No Fixed Address, Artspeak, Vancouver Funkturm Fern Bar at the Spaghetti Works (in collaboration with Glen Rubsamen), Y8, Hamburg Hello World, one day performance at CH-8873, Amden, 2006 HEX.PRO.JIG, Annemarie Verna Galerie, Zürich Double to Watch, Triple to Help, Alexander and Bonin, New York 2007 Civic Sculpture in Memoriam, Museum X, Museum Abteiberg, Mönchengladbach Rita McBride, Galleria Alfonso Artiaco, Naples New Tribune (in collaboration with Manuel Graf), General Public, Berlin Rita McBride and Tony Brown: Live Feed/Slighted Curiosity, Galerie ColletPark, Paris Mae West and the Hyperbolic Parabola, Galerie Klüser 2, München Rita McBride and Glen Rubsamen: Hyperbolic Parabola, Galerie Bernd Klüser, München 2008 Settlers, Galeria Pedro Oliveira, Porto Some Settlements, Konrad Fischer Galerie, Düsseldorf Rita McBride and Koenraad Dedobbeleer: Tight, Repeating Boredom, FRAC Bourgogne, Dijon; Traveled as Hall, Kunsthalle Bern; Privaat, Mu.ZEE, Ostend Curating the Library, one day event at DeSIngel, Antwerp Public Works, Museum Abteiberg, Mönchengladbach 2009 New Markers & Tell Me Something Good (in collaboration with Kim Schoenstadt), Alexander and Bonin, New York Rita McBride and Kim Schoenstadt: Tell Me Something Good, Santa Monica Museum of Art Blindsided and Divided, Mai 36 Galerie, Zürich 2010 Way Out West, Clages Galerie, Köln Perfiles, Carreras Mugica, Bilbao Previously, Kunstmuseum Winterthur Way Out South/Mae West Superstore, Galerie Bernd Klüser, München Way Out East, Konrad Fischer Galerie, Berlin Profili, Galleria Alfonso Artiaco, Naples Zona Maco Sur, Centro Banamex, Mexico City D.F. 2011 Civic Citations, BENVENISTE Contemporary, Madrid 2012 Maverick, Alexander and Bonin, New York Oferta pública / Public Tender, Museu d'Art Contemporani de Barcelona (MACBA) 2013-14 Civic Citations, BENVENISTE Contemporary, Madrid Gruppenausstellungen 1987 Group Exhibition, Jeffrey Linden Gallery, Los Angeles 1988 Re: Placement, Los Angeles Contemporary Exhibitions 1989 Containment, XS Gallery, Western Nevada College, Carson City, Nevada 1990 Preview, Michael Klein, Inc., New York Sculpture, Margo Leavin Gallery, Los Angeles 1991 Different Thinking, Galerie Ghislave, Paris From the Train, Michael Klein, Inc., New York Home for June, Home for Contemporary Theater and Art, New York There's no There, There, Indianapolis Museum of Art Recent Releases, Freeman Editions, Los Angeles State of Things, Galerie Ghislave, Paris Western Agenda, Artists Space, New York 1992 Annual Exhibition, American Academy in Rome The Language of Flowers, Paul Kasmin Gallery, New York Once Removed, New Langton Arts, San Francisco 1993 A Complete Hand of One Suit, Donna Beam Fine Art Gallery, University of Nevada, Las Vegas Everything that Gave Her Pleasure Was Small and Depressed Him, Knoll Galéria, Budapest Group Exhibition, Nathan Cummings Foundation, New York How Long Can a Good Thing Last?, Channing Peake Gallery, Santa Barbara; Santa Monica Museum of Art Kurswechsel, Michael Klein, Inc. at Transart Exhibitions, Köln 1994 An American Landscape, Michael Klein, Inc., New York Breakdown, Museum of Contemporary Art, San Diego Romance, Alyce de Roulet Williamson Gallery, Art Center College of Design, Pasadena Watt, Witte de With, Rotterdam 1995 Call it Sleep, Witte de With, Rotterdam Critical Distance: Between Art and Architecture, Neuberger Museum of Art, State University of New York, Purchase Tu parles, j'écoute, Galerie Anne de Villepoix; Société Jet Lag K., Paris Woodworks, Michael Klein Gallery, New York Twenty-five Years, Margo Leavin Gallery, Los Angeles Literally Abstract, Center for Research in Contemporary Art, University of Texas, Arlington 1996 Constructions, Michael Klein Gallery, New York Group Exhibition, Büro Orange, München The Bare Wall!, Michael Klein Gallery, New York 1997 Maxwell's Demon, Margo Leavin Gallery, Los Angeles Structures: Buildings in American Art, 1900–97, John Berggruen Gallery, San Francisco 1998 Corpos em Trânsito, Galeria Pedro Oliveira, Porto Architecture and Inside, Paul Morris Gallery, New York Travel and Leisure, Paula Cooper Gallery, New York Where: Allegories of Site in Contemporary Art, Whitney Museum of American Art at Champion, Stamford, Connecticut May 17, 1998, Cornish Estate, Cold Spring, New York Construction in Process VI: The Bridge, Melbourne Architecture! Architecture! Architecture!, Hunter College Times Square Gallery, City University of New York Photographs, Alexander and Bonin, New York 1999 Urban Visions, Worcester Art Museum, Massachusetts Description Without Place, Staff USA, New York Rita McBride and Glen Rubsamen: Berlin Lietzensee, Konditorei Kamman, Berlin Rita McBride, Sylvia Plimack Mangold, & to be Announced, Alexander and Bonin, New York Drawings, Alexander and Bonin, New York Hitchcock, Kunsthalle Tirol, Hall in Tirol Jubiläumsaustellung: 30 Jahre Annemarie Verna Galerie, Annemarie Verna Galerie, Zürich 2000 Over the Edges: The Corners of Ghent, Stedelijk Museum voor Actuele Kunst, Ghent Please Let My Affections Lead Me into Danger, Galerie Bernd Klüser, München Group Exhibition, Paula Cooper Gallery, New York What If: Art on the Verge of Architecture and Design, Moderna Museet, Stockholm HausSchau: das Haus in der Kunst, Deichtorhallen, Hamburg Total Blackout, NICC, Antwerp Rita McBride, Julius Schulman, Galerie Adamski Frehrking Wiesehöfer, Köln 2000-01 Demonstration Room: Ideal House, Museo Alejandro Otero, Caracas; Apex Art, New York; Antwerp; Gallery 400, College of Architecture and the Arts, University of Illinois at Chicago Archisculptures, Kunstverein Hannover Crossing the Line, Queens Museum of Art, New York Measure/Mass, Annemarie Verna Galerie, Zürich Funktional-Fiktional, Kunsthalle zu Kiel, Germany 2002 Think Big/Voir grand, Liane and Danny Taran Gallery, Saidye Bronfman Centre for the Arts, Montreal VorOrt, Galerie der Künstler, München Taipei Biennial 2002: Great Theatre of the World, Taipei Fine Art Museum Building Structures, P.S.1 Contemporary Art Center, Long Island City, New York Artists Imagine Architecture, Institute of Contemporary Art, Boston Through a Sequence of Space, Galerie Nordenhake, Berlin Sculpture, Alexander and Bonin, New York Sommerpalast, Neuss, Germany Something We Talked About, Brooke Alexander, Inc.; Leo Castelli Gallery, New York Network, Annemarie Verna Galerie, Zürich Willie Doherty, Paul Etienne Lincoln, Rita McBride, Alexander and Bonin, New York Something, Anything, Matthew Marks Gallery, New York Plans in Progress, (Urban Design Study for Lower Manhattan), Winter Garden, New York Group Effect, Frehrking Wiesehöfer, Köln 2003 Micro-Utopias, Bienal de Valencia, Spain Ants and Bags: Rita McBride and Glen Rubsamen, Artranspennine03, Manchester and Salford Living Inside the Grid, New Museum of Contemporary Art, New York Sommerausstellung, Annemarie Verna Galerie, Zürich Frozen Architecture, The Mesaros Galleries, West Virginia University, Morgantown Variance, Angles Gallery, Santa Monica, California + ou – 5, 10, 15, 20—20 Ans d'une Collection, Le Plateau, FRAC Île-de-France, Paris Wildlife, Neuss, Germany Der (sich) produzierende Mensch, Kunstmuseum Liechtenstein, Vaduz Auto-nom, NRW-Forum Kultur und Wirtschaft, Düsseldorf What Am I Doing Here?, Esso Gallery, New York Artranspennine03, Transpennine region, England Drawing on Architecture, Atelier Gallery, Vancouver 2004 Sommerausstellung, Annemarie Verna Galerie, Zürich Raum für Raum, Kunstverein für die Rheinlande und Westfalen, Düsseldorf 100 Artists See God, Contemporary Jewish Museum San Francisco; Laguna Art Museum, Laguna Beach, California; Institute of Contemporary Arts, London; Contemporary Art Center of Virginia, Virginia Beach; Freedman Art Gallery, Albright College, Reading, Pennsylvania; Cheekwood Museum of Art, Nashville Hülle und Idylle, Galerie Gabriele Rivet, Köln Für die Konstruktion des Unmöglichen, Europäische Kunsthalle, Köln Eric Glavin, Robin Merkisch, Rita McBride, Galerie Gaby Kraushaar, Düsseldorf The Gallery Selects..., Alexander and Bonin, New York 100 Mona Lisa valent mieux qu'une, Fondation d'Entreprise Ricard, Paris Close by: Time Space Architecture, Mai 36 Galerie, Zürich Mengenbüro, Changing Room, Stirling, Scotland M29 Travel, Galerie M29, Köln Wildlife, Neuss, Germany Durchleuchtet: Dialog mit der Sammlung, Kunstmuseum Liechtenstein, Vaduz Bookies, Galerie M29, Köln Generations on the Move, Viper International, Basel De werkelijkheid, De Vleeshal, Middelburg 2005 Farsites/Sitios Distantes, San Diego Museum of Art; Centro Cultural Tijuana Artists' Books Revisited, Printed Matter, New York; Art Metropole, Toronto; Secession,Wien Salon d'automne, Annemarie Verna Galerie, Zürich Sammlung 2005: Neupräsentation der erweiterten Sammlung, K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf Collectiepresentatie XI— Zomer 2005, De Zomer van Middelburg. Museum voor Hedendaagse Kunst, Antwerp Der Kunst Ihre Räume, Bonner Kunstverein, Bonn Editions, Alexander and Bonin, New York Le Génie du lieu, Musée des Beaux-Arts, Dijon The Blake Byrne Collection, Museum of Contemporary Art, Los Angeles met KOP zonder, Artis, Hertogenbosch, The Netherlands Temporary Import DAAD, Bethanien et al., Museum Abteiberg, Mönchengladbach, Germany 2005-06 Próximas exposições, Galeria Graça Brandão, Porto, Portugal The Gift: Building a Collection for the QMA, Queens Museum of Art, New York 2006 Plane/Figure: Amerikanische Kunst aus Schweizer Sammlungen, Kunstmuseum Winterthur Neue Kunst in alten Gärten, Gehrden-Lenthe, Germany Re: Location, Alexander and Bonin, New York Classe Preferente, Galeria Graça Brandão, Porto Cities, Galerie Skopia, Geneva The Bong Show, Leslie Tonkonow Artworks + Projects, New York Shift: Im Spiegel der Verunsicherung, Galerie Grita Insam, Wien Pavillon der Bildhauerei, Kunstakademie Düsseldorf Ergens/Somewhere, Museum voor Hedendaagse Kunst, Antwerp Transformation: Aus eigener Sammlung, Kunstmuseum Liechtenstein, Vaduz Dedica 1986-2006: Venti anni della Galleria Alfonso Artiaco, Palazzo delle Arti, Naples Das letzte Wort in der Kunst, Kunsthalle Düsseldorf Espacio Interior, Sala Alcalá 31, Madrid Réception, Musée municipal Robert Dubois-Corneau, Brunoy Étranges mécaniques, Domaine de Rentilly, Bussy-Saint-Martin Turtle, Chelsea Space, Chelsea College of Art and Design, London Constelações Afectivas II, Galeria Graça Brandão, Lisbon Totalschaden, Bonner Kunstverein, Bonn Re-Shuffle: Notions of an Itinerant Museum, Art in General, New York 30 Years: Printed Matter Editions 1976-2006, Printed Matter, New York Glass: Material Matters, Los Angeles County Museum of Art, Los Angeles 2007 Mimetic, Centre d'art de l'Yonne, Perrigny Early Retirement, Mai 36 Galerie, Zürich Pure, Sean Kelly Gallery, New York. Bodycheck: 10, Triennale Kleinplastik. Fellbach, Germany Exit Music (for a Film), Grimm/Rosenfeld Gallery, New York Parcours interdit, Malkastenpark, Künstlerverein Malkasten, Düsseldorf Selected Works by Gallery Artists, Alexander and Bonin, New York MARTa schweigt. Garde le silence, le silence te gardera, MARTa Herford, Germany The Fit, Galerie Nüans, Düsseldorf Aus der Sammlung: Kein Ort, Kunstmuseum Liechtenstein, Vaduz Blühendes: Ein Blick auf die Sammlung, Kunstmuseum Winterthur The World as a Stage, Tate Modern, London. Traveled to: Institute of Contemporary Art, Boston Architektur–Kunst?, Galerie Reckermann, Köln Hyperbolic Parabola, Galeria Bernd Klüser, München Boring, an afternoon lesson on Baldessari, Bonner Kunstverein, Bonn New Tribune, General Public, Berlin Slighted Curiosity/Live Feed, galerie ColletPark, Paris Sept/7, Maison des Arts, Malakoff 2008 One Night Stand, KW Institute for Contemporary Art, Berlin Parcours interdit II, Malkastenpark, Künstlerverein Malkasten, Düsseldorf Second Nature, Galerie de l'Indépendance, Dexia Banque International, Luxemburg; Traveled to: Centre artistique et culturel, Chamarande Zidovi na Ulici/Walls in the Street, Musej savramene umetnosti Beograd, Belgrade Stay Alive Till '95, Alexander and Bonin, New York 2 x [ (2 x 20) + (2 x 2) ] +2 = X (Desperately) Trying to Figure out the World, Part I: Mai 36 Galerie, Zürich. Part II: Brooke Alexander, New York Learn to Read Art: A History of Printed Matter, Artspeak, Vancouver; Traveled to: Badischer Kunstverein, Karlsruhe; MUSAC, Museo de Arte Contemporáneo de Castilla y Léon, Spain; P.S.1 Contemporary Art Center, Long Island City, New York In Serie, Johan Deumans, Harlem Ästhetische Komplexe, Kunstverein Augsburg + de réalité, Galerie de l'École régionale des Beaux-Arts de Nantes Work from the De Vleeshal Collection 01, De Vleeshal, Middelburg, Netherlands La seconde est partie la première, Jeu de Paume, Paris Jahresausstellung: Kunst aus Neuss, Kulturforum Alte Post, Neuss Fabricateurs d'espace, Institut d'art contemporain, Villeurbanne Rita McBride, Cornelia Parker, Eva Rothschild, Jessica Stockholder, Carreras Mugica, Bilbao Zeitblick: Ankäufe der Sammlung Zeitgenössische Kunst der Bundesrepublik Deutschland, 1998–2008; Martin-Gropius-Bau, Berlin 2009 Temps com a material, Col.leccio MACBA. Noves incorporacions. Museu d'Art Contemporani de Barcelona Organ Mix, Total Museum of Contemporary Art, Seoul United Technologies, Lismore Castle, County Waterford, Ireland Public Garden, Public Generation. Neuer Aachener Kunstverein, Aachen El mal d'escriptura. Un projecte sobre text i imaginació especulativa, Museu d'Art Contemporani de Barcelona Gipfeltreffen der Moderne: Das Kunstmuseum Winterthur, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn Das Gespinst: Die Sammlung Schürmann zu Besuch im Museum Abteiberg, Museum Abteiberg, Mönchengladbach Twelve Arguments Part I, Clages Galerie, Berlin Twelve Arguments Part II, Clages Galerie, Köln Nina Canell, Sofia Hultén, Rita McBride, Jürgen Staack, Konrad Fischer Galerie, Berlin Exchanging Insights, Residence of the United States Ambassador to Germany, Berlin Tell Me Something Good: A collaboration between Kim Schoenstadt and Rita McBride, Santa Monica Museum of Art, California 2010 Art First, Museo Archeologico, Bologna Und/vor und zurück. Nach/rechts und zurück. Schwing/weit vor, zurück, Galerie Kamm, Berlin Graphikedition der Kunstakademie Düsseldorf 2009, Künstlerverein Malkasten, Düsseldorf Look Up! Natural Porto Art Show, Lugares de Incerteza. Palacete Pinto Leite, Porto In Good Faith, Galerie M29 Richter und Brückner, Köln Memories of the Future, Sean Kelly Gallery, New York Aber Schwarz ist keine Farbe, Konrad Fischer Galerie, Düsseldorf Outside the Box, Edition Jacob Samuel,1988–2010, Hammer Museum, Los Angeles La Sombra del habla: Colleción MACBA, National Museum of Contemporary Art, Seoul, Korea Sites of Memory: Architecture and Remembering, Stephan Stoyanov Gallery, New York B1\|A40 - Die Schönheit der großen Straße - The beauty of the big road, RUHR.2010, Essen, Germany Let's Talk About Houses. When Art Speaks Architecture: Building, Unbuilding, Inhabit, Museu do Chiado, Lisbon Mona Hatoum, Stefan Kürten, and Rita McBride, Alexander and Bonin, New York Schöner Wohnen, Konrad Fischer Galerie, Düsseldorf 2011 Making Is Thinking, Witte de With, Rotterdam Catch Sight Screening, Clages Galerie, Köln Specific Collisions, Cosar HMT, Düsseldorf 2 oder 3 Dinge die ich von ihr weiss, Ästhetische Positionen zur Stadtentwicklung, MAP/The Chain, Düsseldorf Dystopia, CAPC Musée d'Art Contemporain de Bordeaux Local Host. Internationaler Künstler in/aus NRW, Ausstellungshalle zeitgenössische Kunst, Münster Overlap—an exhibition about art and design, Den Frie Centre of Contemporary Art, Copenhagen Common Objects: Pop Art from the Collection, The Museum of Contemporary Art, Los Angeles Localhost - internationale Künstler in/aus NRW, AzKM Austellunshalle ziegenössiche Kunst Munster, Münster, Germany 2012 INTERVAL, Galeria Pedro Oliveira, Porto Community, BENVENISTE Contemporary, Madrid RUNDE 1, dh artworks GbR, Düsseldorf Steel Life, Michael Benevento, Los Angeles The Grand Tour, Alexander and Bonin, New York Stimuli, Alexander and Bonin, New York 2012-13 Tomorrow Was Already Here, Museo Tamayo, México, D.F; Museo de Arte Contemporáneo de Monterrey (MARCO), Monerrey, Mexico 2013 Specific Collisions, Marianne Boesky Gallery, New York Sculpture at the Düsseldorf Art Academy from 1945 to the Present, K20 Grabbeplatz, Kunstsammlung Nordrhein-Westfalen, Düsseldorf lonelyfingers: Konversationsstücke, Museum Abteiberg, Mönchengladbach Some Like It Hard: Sculptures in Bronze, dh artworks, Düsseldorf Serralves Collection: Recent Works, Museu de Serralves, Porto IHRE GESCHICHTE(N), Bonner Kunstverein und Artothek, Bonn stadium, Arc en rêve centre d'architecture, Bordeaux EMSCHERKUNST.2013, Ruhr metropolis Nenn mich nicht Stadt! Kunstmuseum St. Gallen Öffentliche Projekte 2002 Arena, Salford, England 2010 Obelisk, Emscherkanal, Essen Delicate Arch. Duisburg Kaiserberg (Temporary) 2011 Mae West, München Selected Performances 2003 French Kiss: Rita McBride on Rosemarie Trockel. Artists on Artists lecture series at Dia Art Foundation, New York. Nachtschwester (with Klara Adam). Künstlerverein Malkasten, Düsseldorf. 2004 Bookies Read Nachtschwester (with Klara Adam). M29 Galerie, Köln. 2005 Rita McBride: Hello World. Atelier Amden, . 2007 Hot Tamales (with Glen Rubsamen). WG at Künstlerverein Malkasten, Düsseldorf. Mutter Gina (with Discoteca Flaming Star featuring The Ways books). Whitney Museum of American Art, New York. Boring: An Afternoon Lesson on John Baldessari. Bonner Kunstverein, Bonn. 2008 Bart's Books at Curating the Library. De Singel, Antwerp. Halls (with Discoteca Flaming Star, Matthew Licht, and Glen Rubsamen). Kunsthalle Bern. 2011 Spot (with Klasse McBride, Kunstakademie Düsseldorf). Galerie Arnaud Lefebvre@ Galerie Ivana de Gavardie, Paris. 2012 Day after Day . A film by Alexander Hick , 2011 . Tribeca Screening Room, NYC 2013 La Storia Di Havy, Guardiola Contemporanea, Piraino, Sicily Bibliografie (Auswahl) 1987 McBride, Rita. "Proposal for New Langton Arts." California Institute of the Arts: Articles 3, no. 1 (Spring 1987). 1989 Men to Match My Mtns: Rita McBride and Nevada. Carson City, Nevada: XS Gallery, Western Nevada College. Text by Tim Power. Rita McBride. Porto: Galeria Atlântica. Text by Julião Sarmento. 1992 Rita McBride: Parts. Des Moines, Iowa: Des Moines Art Center. Texts by Eleanor Heartney and Deborah Leveton. 1997 Rita McBride: Arena. Rotterdam: Witte de With. Texts by Bartomeu Marí, Dominic van den Boogerd, Christian Rattemeyer, and Paloma Schultz. Rita McBride: The Donkey's Way. Porto: Galeria Pedro Oliveira. Text by Michelle Kelly. 1998 McBride, Rita. Caught Looking '91–'94, Little Part '91, Big Part '92, The Fat Man '92. [Beverly Hills]: Potter Press. 1999 McBride, Rita and Glen Rubsamen. "We'll Be You!" NU: Nordic Art Review, no. 3, (1999): 46. McBride, Rita. "Pollock and After; Highlights." Texte zur Kunst 9, no. 33 (March 1999): 54–55. Rita McBride & To Be Announced. München: Kunstverein München and Siemens Kulturprogramm; Köln: Oktagon Verlag. Text by Annette Choon, interview with Rita McBride by Dirk Snauwaert and Matthias Winzen. Rita McBride. Zürich: Annemarie Verna Galerie and Mai 36 Galerie; New York: Alexander and Bonin. Texts by Bartomeu Marí, Cay Sophie Rabinowitz, and Christian Rattemeyer. 2000 Rita McBride: Secession Tower. Wien: Wiener Secession. Texts by Matthias Herrmann and Jan Mendoza. Rita McBride: Werkshow. Baden-Baden: Staatliche Kunsthalle Baden-Baden. Texts by Dirk Snauwaert, Bartomeu Marí, Jessica Morgan, Matthias Winzen, and Margrit Brehm. 2001 Rita McBride: 472 New Positions. Tilburg, the Netherlands: De Pont. Text by Dominic van den Boogerd. 2002 McBride, Rita, ed. Gina Ashcraft: Nackt kam der Fremde. Vaduz: Kunstmuseum Liechtenstein. McBride, Rita, ed. Gina Ashcraft: Naked Came the **. Vaduz: Kunstmuseum Liechtenstein. Rita McBride: Croissance Générale/General Growth. Villeurbanne: Institut d'art contemporain. Texts by Dirk Snauwaert, Jean-Marc Huitorel, and Sugitra Gantner. Rita McBride: Naked Came the Stranger. Vaduz: Kunstmuseum Liechtenstein. Texts by Christiane Meyer-Stoll et al. 2003 McBride, Rita and Glen Rubsamen, eds. Futureways: The Middelburg Triennial 2304. Middelburg, the Netherlands: De Vleeshal; New York: Printed Matter, Inc. and Whitney Museum of American Art. 2004 McBride, Rita "Space Marines and Ork Boyz." Site Magazin, no. 7 (2004). McBride, Rita and Erin Cosgrove, eds. Heartways: The Exploits of Genny O. Vancouver: Arsenal Pulp Press; New York: Printed Matter, Inc. and Whitney Museum of American Art. McBride, Rita and Glen Rubsamen, eds. Futureways. Vancouver: Arsenal Pulp Press; New York: Printed Matter, Inc. and Whitney Museum of American Art. Postscript 14: Rita McBride. Vancouver: Artspeak. Text by Liz Magor. Rita McBride: Exhibition. Long Island City, New York: Sculpture Center. Text by Mary Ceruti. 2005 McBride, Rita and Matthew Licht, eds. Crimeways. Vancouver: Arsenal Pulp Press; New York: Printed Matter, Inc. and Whitney Museum of American Art. 2006 McBride, Rita and David Gray, eds. Myways. Vancouver: Arsenal Pulp Press; New York: Printed Matter, Inc. and Whitney Museum of American Art. 2007 McBride, Rita and Glen Rubsamen. "Afram." In Magnetic Promenade and Other Sculpture Parks. Chris Evans, ed. London: Studio Voltaire. McBride, Rita. "Sculptures in Braille." In Bodycheck: 10. Triennale Kleinplastik. Köln: Snoeck Verlag. McBride, Rita. "V.I.P. Pulp Picks." In Prop. Düsseldorf: Nüans. 2008 McBride, Rita. "National Chain. Ambition d'art." In Institut d'art Contemporain. Villeurbanne: Institut d'art contemporain. Rita McBride: Public Works. Köln: DuMont. Texts by Susanne Titz and Mark von Schlegell. 2009 Dedobbeleer, Koenraad and Rita McBride. Tight, Repeating Boredom; Hall; Privaat. Dijon: FRAC Bourgogne; Ghent: MER Paper Kunsthalle. Haskard, Skylar, Frederic Tuten, Meg Cranston, and Rita McBride. "Four Appreciations of J. Baldessari." Tate, Etc., no. 17 (Autumn 2009): 86–89. McBride, Rita and Kim Schoenstadt. Tell Me Something Good. Santa Monica: Santa Monica Museum of Art. Text by Lisa Melandri. 2010 McBride, Rita. "Die Ausstellung." Du Magazine, (January–February 2010): 99–100. Schwarz, Dieter, Daniel Kurjakovic, and Iris Wien. Previously. Winterthur: Kunstmuseum Winterthur, 2010. 2011 Licht, Matthew. Westways. Ed. Rita McBride. Zürich: Christoph Keller Editions/JRP Ringier; Vancouver: Emily Carr University Press; Beverly Hills: Potter Press, 2011. 2012 Fernández-Galiano, Luis, Mark Wigley, Bartomeu Marí and Anne Pöhlmann. Rita McBride. Oferta pública / Public Tender. Barcelona: Museu d'Art Contemporani de Barcelona (MACBA) Ausgewählte Ausstellungskataloge 1988 Re: Placement. Los Angeles: Los Angeles Contemporary Exhibitions. Text by Jane Castleton. 1991 State of Things. Paris: Galerie Ghislave. Text by Ghislave Sosnowski. There's no There, There. Indianapolis: Indianapolis Museum of Art. Text by Catsou Roberts. Western Agenda. New York: Artists Space. Text by Cornelia Butler. 1992 Annual Exhibition. Rome: American Academy in Rome. Text by Deborah Karasov. 1993 Kurswechsel. Köln: Transart Exhibitions; New York: Michael Klein, Inc.. 1994 Breakdown. San Diego: Museum of Contemporary Art. Text by Katherine Kanjo. 1995 Antonelli, Paola. Mutant Materials in Contemporary Design. New York: Museum of Modern Art. Critical Distance: Between Art and Architecture. Purchase, New York: Neuberger Museum of Art, State University of New York. Text by Cornelia Butler. Margo Leavin Gallery: Twenty-five Years. Los Angeles: Margo Leavin Gallery. Text by Margo Leavin. 1998 Architecture! Architecture! Architecture! New York: Hunter College Times Square Gallery, City University of New York. Text by Peter Dudek. Where: Allegories of Site in Contemporary Art. Stamford, Connecticut: Whitney Museum of American Art at Champion. Texts by Adrienne Gagnon, Julieta Elena González Gorrin, and Bennet Simpson. 1999 Urban Visions. Worcester, Massachusetts: Worcester Art Museum. 2000 Construction in Process VI: The Bridge. Sydney: Craftsman House. HausSchau; das Haus in der Kunst. Hamburg: Deichtorhallen. Texts by Zdenek Felix, Nina Möndmann, and Ludwig Seyfert. Over the Edges: The Corners of Ghent, Ghent: Stedelijk Museum voor Actuele Kunst. Texts by Jan Hoet and Giacinto Di Pietroantonio. Please Let My Affections Lead Me into Danger. München: Galerie Bernd Klüser. Text by Julião Sarmento. What If: Art on the Verge of Architecture and Design. Stockholm: Moderna Museet. Text by Maria Lind. 2001 Archisculptures. Hannover: Kunstverein Hannover. Texts by Stephan Berg et al. Demonstration Room: Ideal House. New York: Apex Art. Text by Jesús Fuenmayor and Julietta González. Funktional-Fiktional. Kiel, Germany: Kunsthalle zu Kiel. Text by Sabine Bartelsheim. 2002 Artists Imagine Architecture. Boston: Institute of Contemporary Art. Text by Jessica Morgan. Taipei Biennial 2002: Great Theatre of the World. Taipei: Taipei Fine Art Museum. Texts by Bartomeu Mari et al. VorOrt. München: Galerie der Künstler. 2003 Living Inside the Grid. New Museum of Contemporary Art, New York. Text by Dan Cameron. Micro-Utopias. Valencia: Generalitat Valenciana; Milan: Charta. 2004 100 Artists See God. New York: ICI. Texts by John Baldessari, Meg Cranston, and Thomas McEvilley. Raum für Raum. Düsseldorf: Kunstverein für die Rheinlande und Westfalen. Texts by Peter Gorschlüter, Ulrike Groos, Rita Kersting, and Kathleen Rahn. 2005 Ambach, Markus, ed. Wildlife. Ein Garten von/für Künstler. Düsseldorf: Richter Verlag. McHenry, Kathryn et al. Student Union Collection of Contemporary Art. Winston-Salem, North Carolina: Wake Forest University. Pedrosa, Adriano and Julie Dunn, eds. Farsites/Sitios Distantes. San Diego: San Diego Museum of Art; Tijuana: Centro Cultural. Sammlung. Kunst der Gegenwart in K21. Düsseldorf: Kunstsammlung Nordrhein-Westfalen. Texts by Julian Heynen et al. The Blake Byrne Collection. Los Angeles: Museum of Contemporary Art. Interview with Blake Byrne by Ann Goldstein and Paul Schimmel; texts by Michael Darling and Blake Byrne. 2006 Dedica. Naples: Electa. Espacio Interior. Madrid: Sala Alcalá 31. Fox, Howard. Glass: Material Matters. Los Angeles: Los Angeles County Museum of Art. Kruse, Joseph, ed. Das letzte Wort in der Kunst. Stuttgart: J.B. Metzler; Kassel: Bärenreiter. Neue Kunst in alten Gärten 2006. Hannover: Eggert GWK. Text by Michael Wolfson. Plane/Figure: Amerikanische Kunst aus Schweizer Sammlungen. Winterthur: Kunstmuseum Winterthur. Texts by Dieter Schwarz et al. 2007 Bodycheck: 10. Triennale Kleinplastik. Köln: Snoeck Verlag. Text by Matthias Winzen, Ursula Trübenbach et al. Exit Music (for a Film). New York: Grimm/Rosenfeld Gallery. Texts by Michelle Lopez et al. MARTa schweigt. Garde le silence, le silence te gardera. Herford, Germany: MARTa. Mimetic. Perrigny: Centre d'art de l'Yonne. Text by Jean-Marc Huitorel. The Banal/Le Banal. Montreal: SBC Gallery of Contemporary Art. Texts by Cate Rimmer et al. Swiss Museums: Kunstmuseum Winterthur. Zürich: Swiss Institute for Art Research; Geneva: Foundation BNP Paribas . Texts by Dieter Schwarz and Louis Bazire. The World as a Stage. London: Tate Publishing. Texts by Catherine Wood and Jessica Morgan. 2008 Ästhetische Komplexe. Augsburg: Kunstverein Augsburg: Nuremberg: Verlag für moderne Kunst. Text by Axel Jablonski. Collins, Judith. Sculpture Today. London: Phaidon. "Das Parkheft." Malkasten Blätter, no. 45 (2008). Leblon, Guillaume. FRAC Île-de-France: La collection. Paris: FRAC Île-de-France. Second Nature. Luxemburg: Dexia Banque International, Galerie Nosbaum & Reding. Texts by Sabine Dorscheid et al. Zeitblick: Ankäufe der Sammlung Zeitgenössische Kunst der Bundesrepublik Deutschland, 1998–2008. Köln: Dumont. 2009 Akademie-Galerie: Die Neue Sammlung 2005–2009. Düsseldorf: Kunstakademie. Schwarz, Dieter. Gipfeltreffen der Moderne: Das Kunstmuseum Winterthur. Bonn: Kunst- und Ausstellungshalle der Bundesrepublik Deutschland; Düsseldorf: Richter Verlag. Temps com a matèria. Col.leccio MACBA. Noves incorporacions. Barcelona: Museu d'Art Contemporani de Barcelona. United Technologies. County Waterford, Ireland: Lismore Castle. Text by Philippe Pirotte. 2010 Ambach, Markus, ed. B1/A40 Die Schönheit der großen Straße. Berlin: Jovis Verlag, 2011 Emscherkunst 2010 Eine Insel für die Kunst. Ostfildern-Ruit: Hatje Cantz, 2011 2011 La Sombra del habla: Colleción MACBA. Seoul: National Museum of Contemporary Art, 2011. Artists against AIDS May 16th, 2011 , Deutsche AIDS-Stiftung 2012 20+ Years Witte de With, Rotterdam: Witte de With Publishers The Open Mind,Celebrating 10 Years at the Kunstmuseum Liechtenstein 2013 Specific Collisions. ex. cat. New York: Marianne Boesky Gallery Ausgewählte Artikel und Besprechungen 1988 Breslauer, Jan. "Hall of Mirrors." L.A. Weekly (April 1–7, 1988). Jones, Amelia. "Museum Bashing." Art International (Summer 1988): 59–62. Knight, Christopher. "Re: Placement Parts." Herald Examiner (Los Angeles) (March 20, 1988). 1990 Pinto, Antonio Cerveria. "Paisagens Urbanas." O Independente (January 5, 1990). Snow, Shauna. "Sculptor Rita McBride Rhapsodizes over Rattan." Los Angeles Times (November 25, 1990): calendar section, p. 86. 1991 Jones, Amelia. "Rita McBride." Artscribe, no. 86 (March–April 1991): 73. Myers, Terry. "New York in Review." Arts Magazine 66, no. 1 (September 1991): 74. Weissman, Benjamin. "Rita McBride." Artforum 29, no. 6 (February 1991): 134. 1992 Anderson, Isabelle. "Cultural Allusions." Artweek 23 (December 17, 1992): 25. Nusbaum, Eliot. "'Parts' Exhibition a Playful Contradiction." Des Moines Sunday Register (July 26, 1992): 7F. 1993 Butler, Cornelia. "Rita McBride." Art and Text, no. 44 (January 1993): 91–92. Kingsley, Diana. "Rita McBride." Art Today (September 1993): 66. Myers, Terry. "Rita McBride." Tema Celeste (Winter 1993): 83. "Tips und Termine." Kölner Stadt-Anzeiger (November 1993). 1994 "Galleries USA." Flash Art 27, no. 179 (December 1994): 108. Levin, Kim. "Voice Choices; Rita McBride." Village Voice (November 1, 1994): Choices section, p. 8. "Portfolio of the WATT exhibition"; "Discussion: The Chameleon Was in the Text." Witte de With Cahier, no. 2, (1994): 106, 128, 156; 144–52. Willmoth, Charles. "Breakdown." Artweek 25 (June 23, 1994): 16. 1995 Butler, Cornelia. "Rita McBride." Journal of Contemporary Art 7, no. 2 (Winter 1995): 82–89. Hirsch, Faye. "Rita McBride." Art in America 83, no. 2 (February 1995): 97. Labaume, Vincent. "Tu parles, j'écoute." Art Press, no. 206 (October 1995): 12. Muchnic, Suzanne. "Rita McBride and Hsin-Ming Fung." Art News 94, no. 5 (May 1995): 157–58. Schaffner, Ingrid. "Rita McBride." Artforum 33, no. 5 (January 1995): 87. Zellen, Jody. "A Stroll through Santa Monica." Art Press, no. 201 (April 1995): I–III. Zimmer, William. "Neuberger's Anniversary Exhibit Shows the Museum's Physical Side." New York Times (Westchester edition) (February 5, 1995): section 13, p. 16. 1996 "Call it Sleep; Portfolio of the Exhibition." Witte de With Cahier, no. 4, (1996): 43. Levin, Kim. "Voice Choices; Constructions." Village Voice (February 13, 1996): Choices section, p. 8. von Taaschitzki, Thomas. "Der Ozean in seiner Weite." Kölner Stadt-Anzeiger, no. 141 (June 20, 1996). 1997 Arning, Bill. "Rita McBride." Time Out New York (December 4–11, 1997): 54. de Vries, Marina. "Een eigen stadion." Het Parolle (the Netherlands) (November 27, 1997). Johnson, Ken. "Rita McBride." New York Times (December 12, 1997): E42. "Rita McBride." Witte de With Jaarsverlag (1997): 15–17. Smallenburg, Sandra. "Begluurd en achtervolgd in de arena van Rita McBride." NRC Handelsblad (Rotterdam) (December 17, 1997): 9. ter Borg, Lucette. "Dienstbare Arena voor Kunst." de Volkskrant (the Netherlands) (December 3, 1997). van de Velde, Paola. "Rita McBride maakt vreemd spektakelstuk." de Telegraaf (the Netherlands) (November 21, 1997). 1998 Boogaarts, Inez and Marianne Tousaint. "Crisis in de Kunst: Cathedra in Arena." Boekman Cahier 10, no. 35 (March 1998): 60–62. Clothier, Peter. "Living with Art: Blake Byrne." Art News 97, no. 4 (April 1998): 108–110. DeBord, Matthew. "LA Casual + NY Critical = A New Urbanity." Siksi (Helsinki) 13, no. 2 (Summer 1998): 56–61. Ingraham, Catherine. "In the Arena of Curved and the Straight." Witte de With Cahier, no. 7, (1998): 160–66. Cover design by Rita McBride. Klein, Michael. "Rita McBride." Sculpture 17, no. 3 (March 1998): 64–65. Princenthal, Nancy. "Rita McBride at Alexander and Bonin." Art in America 86, no. 3 (March 1998): 103. Rabinowitz, Cay Sophie. "Rita McBride." Art Papers (Atlanta) 22, no. 3 (May–June 1998): 60. Thompson, Mimi. "Rita McBride." Bomb (New York): no. 65 (Fall 1998): 81, 94–95. Zimmer, William. "Landscape, the Site, The Meaning of Place." New York Times (Connecticut edition) (August 9, 1998): section 14, p. 12. 1999 Aono, Shoko. GQ Japan (October 6, 1999). "Arts & Cars." Artbyte 2, no. 1 (April–May 1999): 35–38. Conner, Jill. "Please Let My Affections Lead Me into Danger." Sculpture 19, no. 10 (December 2000): 79. Di Pietro, Monty. "Bringing Down the House." Asahi Evening News (Japan) (September 16, 1999). Harada, Tamaki. "Exhibition Review." Bijutsu Techo (Japan) (December 17, 1999). High Fashion (Japan) (August 24, 1999). Iguma, Yasuko. Geijutsu Shincho (Japan) (December 25, 1999). Janzen, Thomas. "Eine Arena für das Sehen." Frankfurter Rundschau (February 20, 1999). Kenchiku Bunka (Japan) (October 1, 1999). "Kunst nebenan." Schweizer Illustrierte, no. 14 (April 5, 1999): 87. Kurjakovic, Daniel. "Peripherien und Trophäen." Neue Zürcher Zeitung (May 4, 1999): 46. Lütticken, Sven. "Contemplation vs. Conversation: The Attack on the Silent Enjoyment of Art." Archis, no. 10 (October 1999): 51–60. Mack, Gerhard. "Rita McBride." Cash, Wirtschaftszeitung der Schweiz (April 23, 1999): 55. Mack, Gerhardt. "Rita McBride in den Galerien Mai 36 und Annemarie Verna, Zürich." Kunstbulletin, no. 5 (May 1999): 41. Maier, Anne. "Rita McBride im Kunstverein München." Kunstbulletin, no. 3 (March 1999): 35. Mainichi Newspapers (Japan) (December 8, 1999). Maurer, Simon. "Rita McBride, Masse und Macht." Tages-Anzeiger Zürich (April 2, 1999): 53. Miyamoto, Fumiko. Mainichi Newspapers (Japan) (September 15, 1999). Purvis, Jennifer. "Rita McBride Lifts the Roof on Objects." Mainichi Daily News (Japan) (October 5, 1999). Reust, Hans Rudolf. "Rita McBride." Artforum 37, no. 10 (Summer 1999): 164. Schütz, Heinz. "Damenwahl; Rita McBride and to Be Announced." Kunstforum International, no. 144 (March–April 1999): 388–89. Shin Kenchiku (Japan) (November 1, 1999). Shin Kenchiku JT (Japan) (October 19, 1999). Shukuko, Aoki. "Classified." Brutas (Japan) (October 1, 1999). Sonna, Birgit. "Der Künstler als Mastgans." Süddeutsche Zeitung (February 22, 1999). Temin, Christine. "Perspectives." Boston Globe (April 14, 1999). 2000 Blom, Ina. "What If." Frieze (September–October 2000): 120–21. Hebert, Natasha. "Over the Edges." Espace, no. 53 (Autumn 2000): 17–22. Szeless, Margarethe. "Maria Theresia Litschauer: Non-Sites." Eikon, no. 33 (2000): 21–28. Wetterwald, Elisabeth. "Over the Edges." NU: the Nordic Art Review, nos. 3–4 (2000): 89. 2001 Israel, Nico. "Rita McBride." Artforum 40, no. 1 (September 2001): 194. Katzenstein, Ines. "Demonstration Room: Ideal House." Art Nexus, no. 41 (August–October 2001): 142–43. "Review." Kunstbeeld 25, no. 11 (2001): 52–55. Schwendener, Martha. "Rita McBride, 'White Elephant and Albatrosses.'" Time Out New York (May 10–17, 2001): 69. Wehr, Anne. "Queens Sized." Time Out New York (August 16–23, 2001): 46. 2002 Aukeman, Anastasia. "Rita McBride at Alexander and Bonin." Art in America 90, no. 5 (May 2002): 153–54. Griffin, Phil. "Archisnap." City Life (September 11–26, 2002): 83. Johnson, Ken. "Something We Talked About." New York Times (November 15, 2002): E39. Kurjakovic, Daniel. "Das Bild der Architektur – Rita McBride." Werk, Bauen + Wohnen, no. 3 (2002): 24–27. Puvogel, Renate. "Archisculptures." Kunstforum International, no. 158 (January–March 2002): 300–304. "Rita McBride, entre Sculpture, Design, et Architecture." L'Oeil, no. 541 (November 2002): 119. van Lil, Kira. "Moderne ohne Ideale." Art das Kunstmagazin, no. 6 (June 2002): 96. 2003 Boecker, Susanne. "Die ideale Stadt." Kunstforum International, no. 166 (August–October 2003): 400–404. Dailey, Meghan. "Living Inside the Grid." Artforum 41, no. 9 (May 2003): 171–72. Dürr, Alfred. "Furore um Hochhaus-Skulptur." Süddeutsche Zeitung, July 16, 2003. "Going on About Town: Rita McBride." New Yorker (September 22, 2003): 57. Greenaway, Paul. "Impressive Risk Taking." Artlink 23, no. 3 (September 2003): 62–64. Israel, Nico. "Third Taipei Biennial." Artforum 41, no. 10 (Summer 2003): 203. Johnson, Ken. "Rita McBride: 'Vehicles and Vessels.'" New York Times (September 12, 2003): E35. Krenz, Marcel. "Rita McBride." Flash Art 36, no. 233 (November–December 2003): 100. Morineau, Camille. "Le Design au prisme de l'art." Art Press, no. 293 (September 2003): 42–50. Preece, Robert. "Rita McBride: Arena." Sculpture 22, no. 4 (May 2003): 31. Rebollar, Monica. "El Arte como Salvacion del Habitat." Lapiz 22, no. 194, (June 2003): 58–63. Reust, Hans Rudolf. "Rita McBride: Kunstmuseum Liechtenstein." Artforum 41, no. 5 (January 2003): 149. Seidel, Martin. "Auto-nom. Das Automobil in der zeitgenössicher Kunst." Kunstforum International, no. 167 (November–December 2003): 292–95. Sonna, Birgit. "Reifrock und Wespentaille." Süddeutsche Zeitung, July 17, 2003. 2004 Godfrey, Mark. "Future Past." Art Monthly, no. 273 (February 2004): 7–10. Kristlbauer, Matthias. "Mae West in München Ost." Münchener Merkur, July 8, 2004. May, Rolf. "Nur noch Grünanlagen?" Tageszeitung, June 23, 2004. Neff, Berthold. "Mae West geht ihren Weg." Süddeutsche Zeitung, July 8, 2004. Schich, Kathrin. "Mae West kann nicht überzeugen." Süddeutsche Zeitung, May 3, 2004. Slade, Kathy. "Contemporary Art is Sex: Rita McBride in Conversation with Kathy Slade." C Magazine, no. 80 (Winter 2004): 34–37. Wimmer, B. "Schlappe für Ude und SPD. Der Eierbecher komm doch." Tageszeitung, July 8, 2004. Zeyn, Martin. "Times Mager 'Mae West.'" Frankfurter Rundschau, July 8, 2004. 2005 Conner, Jill. "Rita McBride: Sculpture Center." Sculpture 24, no. 4 (May 2005): 68. "Forum: Key Issues in Sculpture Education Today." Sculpture 24, no. 8 (October 2005): 12–13. Hassinger, Maren, Ken Lum, Rita McBride, Edward Meyer, Robin Peck, and Jay Willis. LaBelle, Charles. "Back: Rita McBride." Frieze (April 2005): 118–19. Lum, Ken. "Surprising Sharjah." Canadian Art 22, no. 3 (Fall 2005): 98–103. Luz, Kathrin. "Raum für Raum." Kunstforum International, no. 174 (January–March 2005): 302–304. Tumlir, Jan. "InSite 05." Artforum 44, no. 3 (November 2005): 248–49. 2006 Reindl, Uta. "Das letzte Wort in der Kunst." Kunstforum International, no. 180 (May–June 2006): 315–17. Ribas, João. "Things That Go Bump." New York Sun (September 28, 2006). Sholis, Brian. "Rita McBride, Alexander and Bonin." Artforum 45, no. 3 (November 2006): 298. Tecce, Angela. "Vulcanico." Giornale dell'Arte 24, no. 260 (December 2006): 29. 2007 Ebitsch, Sabrina. "52 Meter nacktes Karbon." Süddeutsche Zeitung, May 29, 2007. Miethge, Christiane. "Mae West überzeugt die Lokalpolitiker." Süddeutsche Zeitung, June 26, 2007. Morgan, Jessica and Catherine Wood. "It's All True." Tate, Etc., no. 11 (Autumn 2007): 70–75. Reindel, Uta. "Rita McBride: Civic Sculpture in Memoriam." Kunstforum International, no. 188 (October–November 2007): 401–402. 2008 Bellenbaum, Rainer. "Der nächste Akt." Texte zur Kunst 18, no. 69 (March 2008): 267–70. Gordon, Melissa. "Rita McBride Talks to Melissa Gordon." NY Arts 13, nos. 1–2 (January–February 2008): 32–33. Herbert, Martin. "The World As a Stage." Artforum 46, no. 7 (March 2008): 353–55. Hopwood, Alasdair. "The World as a Stage." 1 Art Review, no. 18 (January 2008): 108–109. Huitorel, Jean-Marc. "Guillaume Leblon: fragiles consolations." Art Press, no. 348 (September 2008): 49–52. Krausch, Christian. "Die Wiedereröffnung." Kunstforum International, no. 189 (January–February 2008): 327–29. "Los nuevos creadores de espacios. Lapiz 27, no. 248 (December 2008): 18. Pirotte, Philippe. "Koenraad Dedobbeleer & Rita McBride: Tight, Repeating Boredom." Berner Kunstmitteilungen, no. 360 (October–December 2008): 16–18. Reymond, Fabrice. "La Vengeance du réel." Beaux Arts Magazine, no. 294 (December 2008): 144. McBride, Rita. "The Artists' Artists: Lawrence Weiner." Artforum 47, no. 4 (December 2008): 110. Vaughan, R.M. "Stagecraft: Tate Modern Takes On Performance." Canadian Art 25, no. 2 (Summer 2008): 60–64. 2009 Bosco, Roberta. "Macba politico e al femminile." Giornale dell'Arte 27, no. 288 (June 2009): 49. Chambers, Christopher Hart. "Rita McBride, Alexander and Bonin." Flash Art 42 (July–September 2009): 98. Clarke, Chris. "United Technologies." Art Monthly, no. 329 (September 2009): 25–27. Lequeux, Emmanuelle. "Monde. Les grandes expositions." Beaux Arts Magazine, no. 301 (July 2009): 104–115. Lorch, Catrin. "Rita McBride, Museum Abteiberg." Artforum 47, no. 5 (January 2009): 224. Packer, Matt. "United Technologies." Circa (Belfast), no. 129, (Autumn 2009): 84–86. 2010 Badrutt Schoch, Ursula. "Ins Leere laufen." St.Galler Tagblatt, August 9, 2010. "Bogenhausen—Mae West Spektakel wohl erst im Januar." Münchner Wochenanzeiger, November 30, 2010. Curiger, Bice. "'Ich bekämpfe den Modernismus': Rita McBride im Kunstmuseum Winterthur." Du Magazin, July–August 2010. Dankow, Karolina. "Kunst: Die Kunst der Übersetzung—Rita McBride in Winterthur." Tages-Anzeiger (Zürich), July 1, 2010. Deuter, Ulrich. "Expedition in die Spaghetti." K. West, Kulturmagazin des Westens, no. 7 (July–August 2010). Helmbold, Britta. "Spielorte am Rande der B1/A 40." Wir 2010 (Dortmund), June 2010. Horstmeier, Anne. "Hölle und Idylle im Spaghetti-Knoten." Westdeutsche Allgemeine Zeitung (Duisburg), June 11, 2010. Kuhna, Martin. "Metamorphose des Meideraums." Süddeutsche Zeitung, August 14–15, 2010. Löhr, Johannes. "Montage von 'Mae West' verzögert sich." Münchner Merkur, November 27–28, 2010. Mack, Gerhard. "Mit offenem Blick. Die amerikanische Bildhauerin Rita McBride überrascht im Kunstmuseum Winterthur mit Humor." Neue Zürcher Zeitung, August 15, 2010. Moises, Jürgen. "Wie man eine Riesendame baut." Süddeutsche Zeitung, May 14, 2010. Tückmantel, Ulli. "Teure Kunst für die A 40." Rheinische Post, July 6, 2010. Weiland, Florian. "Transformationen." Südkurier (Baden Württemberg), August 19, 2010. Ziegler, Yvonne. "Winterthur: Rita McBride." Kunstbulletin Online, September 1, 2010. 2011 Bayrischer Rundfunk, January 31, 2011. Television broadcast. Dawson, Donna. "Mae West: Pipe Dream in München." High Performance Composites, March 2011, pp. 46–53. "Drehscheibe." Zweites Deutsches Fernsehen, January 31, 2011. Television broadcast. Fuhrin, Katharina. "Riesenkran erweckt 'Mae West' zum Leben." Münchner Merkur, January 28, 2011. Knapp, Gottfried. "Mikadospiel am Effnerplatz." Süddeutsche Zeitung, February 7, 2011. Körner, Elisabeth. "Mittags in München." Bayern 1, January 31, 2011. Radio broadcast. Kotteder, Franz. "Alles Ansichtssache. Ist die Skulptur 'Mae West' wirklich 1,5 Millionen € wert?" Süddeutsche Zeitung, 29–30 January, 2011. L.J. "Mae West zickt." Abendzeitung, April 5, 2011. "München heute." München TV, January 31, 2011. Television broadcast. Stuhlweissenburg, Bettina. "Oben ohne bei Minustemperaturen." Münchner Merkur, January 31, 2011. Völklein, Marco. "Mae West, eiskalt." Süddeutsche Zeitung, January 31, 2011. ———. "Mae West—das neue Wahrzeichen im Osten." Süddeutsche Zeitung, January 25, 2011. Wild, Annette. "Gar nicht öko: Mae West muss beheizt werden." Abendzeitung, January 24, 2011. Zeyn, Martin. "Streit um die Skulptur 'Mae West' auf dem Effnerplatz. Wie groß darf Kunst sein?" Bayerischer Rundfunk, January 31, 2011. Radio broadcast. ———. "Wie haben Sie das gemacht , Rita McBride?" Monopol, April 2011, pp. 22–23. 2012 Lanzl, Christina. "Rita McBride, (Re) Negotiating the Public Realm." Sculpture (Jan/Feb 2012): 47-51 Morgan, Jessica. 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The New York Times (April 26, 2013):C1 Ausgeählte öffentliche Sammlungen** Selected Public Collections Ellipse Foundation, Alcoitão/Cascais Museu d'Art Contemporani de Barcelona Bundeskunstsammlung Zeitgenössischer Kunst, Bonn Des Moines Art Center, Iowa FRAC Bourgogne, Dijon Kunstsammlung Nordrhein-Westfalen, Düsseldorf Niedersächsische Sparkassenstiftung, Hannover San Diego Museum of Contemporary Art, La Jolla, California Hammer Museum, Los Angeles Los Angeles County Museum of Art, Los Angeles Museum of Contemporary Art, Los Angeles De Vleeshal, Middelburg, Netherlands Museum Abteiberg, Mönchengladbach New York Public Library Queens Museum of Art, New York Whitney Museum, New York Neues Museum, Nuremberg FRAC Île-de-France, Paris Museu de Serralves, Porto Witte de With Center for Contemporary Art, Rotterdam Kunstmuseum St. Gallen De Pont Foundation for Contemporary Art, Tilburg Kunstmuseum Liechtenstein, Vaduz Institut d'Art Contemporain, Villeurbanne Kunstmuseum Winterthur Wake Forest University Collection, Winston-Salem, North Carolina Kunsthaus Zürich oben